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The ScreenVue Vault is the result of a joint venture and partnership between Christian Video Licensing International (CVLI) and Christian Copyright Licensing International (CCLI) and Motion Picture Licensing Corporation (MPLC).

The Vault first launched in 2003 as a service of CVLI. The CVLI Church Video License provides legal coverage for churches and for other ministry organizations to show DVDs, Blu-rays, digital, movie downloads and streams of motion pictures. Each organization needs to be specifically covered. Coverage includes showing the full-length feature.

Each *Total Producer Church Video License* (or any *Church Video Licence* globally) comes with free Vault access.

The Vault offers 16,000+ Movie Ideas and Movie Views from a variety of movies and resources. 

The Vault saves you hours of time finding that perfect movie illustration for next Sunday’s sermon, child or youth service, or video announcement!  

(*The Vault does not sell or rent entire digital copies of movies to download. To purchase or rent entire movies, please access services like Amazon, Apple or Fandango).

About Us


### CCLI

Christian Copyright Licensing International (CCLI) was established in 1988 to provide churches with simple, affordable solutions to complex copyright issues. CCLI helps churches maintain their integrity while giving them the freedom to worship expressively and spontaneously.

Churches often face copyright infringement issues in two areas: 1) copying music without permission, and 2) showing movies without authorization.

For copying music to assist with congregational singing, the Church Copyright License provides blanket coverage for 600,000+ songs and 7,000+ publishers and song owners. Currently, global churches are using 600,000+ CCLI licenses.

---

### CVLI

From a unique partnership between Christian Copyright Licensing International (CCLI) and Motion Picture Licensing Corporation (MPLC), Christian Video Licensing International (CVLI) and the Church Video License was formed in 2001.

The Church Video License provides churches with legal coverage to show thousands of movie titles and TV shows from a number of producers, including all the major studios. Currently, the titles from 5,000+ producers are represented by the Church Video License, including all the titles that  are part of the Vault.

---

### MPLC

Motion Picture Licensing Corporation (MPLC) was founded in 1986 by former MGM executives and an MPAA attorney. Their goal was to develop a process to help the public leverage the work of the creative community without infringing on copyright.

With decades of experience, MPLC has become the world leader in licensing movies, TV programs, and other content for public performances. Through its Umbrella License® MPLC provides a comprehensive copyright compliance solution that is simple and affordable.

MPLC works closely with a variety of institutions, associations, and antipiracy groups to educate the public about copyright and promote the intellectual property rights of the creative community.

Today, MPLC licenses over 500,000 locations worldwide, including, but not limited to, nonprofit organizations, corporations, and government entities.


Partners

## Privacy is Important to ScreenVue.

We’re committed to using the data that you share with us to provide the best possible service and experience. This Privacy Policy explains when and why we collect personal data, how we use it, and how we keep it secure.

When you provide us with personal data or use our websites, you agree to be bound by this policy which we may update from time to time.

### Our Privacy Principles


- We will only collect personal data that is relevant to the services we provide, handle it securely and retain it only as long as necessary.
-  We will always ask you for your communication preferences and make it simple to change them.
-  We will not sell or give your information to a third-party organization other than our trusted service providers who provide certain secure business functions on our behalf
-  Our websites and online services only use temporary ‘session’ cookies to enhance your online experience. We do not use cookies to collect personally identifying information.

The information below provides more detail about how we use your data.

- Who We Are
- The Information We Collect
- How and Why We Use Personal Data
- How We Protect Your Personal Data
- Your Personal Data and Service Providers
- Your Personal Data and Marketing
- How We Use Cookies
- Google Analytics
- Comment Policy
- Update and Access Your Data: Your Rights and Control
- 

---


## Who We Are

ScreenVue is an international organization headquartered in the United States, with offices around the world. As such, many of our systems and online services are employed globally.

We are strongly committed to maintaining the privacy of your personal information and the security of our computer systems and online services.

Concerning the collection, use, and disclosure of personal information, ScreenVue makes every effort to ensure compliance with all applicable laws, including the European General Data Protection Regulation (GDPR), the all other local privacy regulations.

---

## The Information We Collect

When you purchase licenses or services from ScreenVue, we will require only the personal information that is necessary for the administration of your account with us.

As a general rule, we do not collect personally-identifying information about you when you visit our websites or online services and we will retain only the information you choose to share with us.

When you sign up for CVLI/ScreenVue’s licenses or services, you may provide some or all of the following:

- Your title, name, email, postal address, and telephone numbers. 
- Usernames and passwords that you have chosen to log in to secure ScreenVue services.

When you use our websites and online services we collect:

- Information about the licenses and subscriptions that you purchase from us including your method of payment.
- Information about the pages visited, and links clicked, including the date and time.
- The internet address of the website from which you linked directly to our site.
- Information about the devices you have used, including mobile device identifiers, operating system, IP address and type of browser.

Our websites contain links to other websites. When you leave a ScreenVue website by linking to any of these sites, you are subject to the privacy policy of those sites.

When you interact with us through email, social media, surveys or promotions, we may collect:

- Personal data that you freely provide about yourself that is relevant to the nature of the interaction, such as your name, username and email address. 
- Details of the emails you open, and links clicked.
- Your comments in forums and feedback from surveys.

If you identify yourself by sending an e-mail containing personal information requesting that we mail information to you, we will use this information solely for responding to such requests and for our records. We may forward your e-mail to other ScreenVue employees who are better able to serve you.

### Data obtained from other sources
We may obtain personal data from other legitimate sources, including trusted third-party providers, and use this data to:

Verify and correct the information we hold.

- Send information about license renewal and account management.
- Send marketing communications by post or email.
- Initiate or deliver targeted content via online advertising and social media.


---


## How And Why We Use Personal Data

ScreenVue will only collect and retain data that is required to administer your account or improve your experience; and we will provide you with information that we believe is important, in your interest to know, or that you have permitted us to send.

We use your data in the following ways:

To make our services available to you

- Ensuring that the administration of your account is simple and secure. 
- Enabling us to provide the services you require and to process orders and refunds efficiently.
- Enabling us to provide support and respond to inquiries quickly and accurately.
- Where ScreenVue acts as an agent for other rightsholder organizations and you hold one of their licenses, we may be required to share your data with them.

To improve the way we operate and communicate

- The data we hold about you enables us to improve our internal systems and our range of services.
- By monitoring the use of our services, we can detect and prevent misuse and fraud and ensure that they can be accessed safely and securely.
- We use web technologies such as cookies to improve the way our websites and online services work. Some cookies are necessary and, if disabled, will limit functionality and affect your user experience.
- We use tools like Google Analytics to help us understand our users’ experience (e.g., how much time they spend on web pages, which links they choose, what they do and don’t like, etc.).
- User feedback helps us build and maintain our services, determine technical design specifications and monitor system performance.

To ensure our communications are relevant and valuable

- Interactions and browsing behavior help us understand you better and determine what is of most and least interest, meaning we can personalize our services, marketing communications, and promotions and measure their effectiveness.
- We’re committed to respecting your marketing preferences and making it easy to change them.

### Consequences of Not Providing Your Data
You are not obligated to provide your personal information to ScreenVue, LLC. However, ScreenVue is unable to issue and administer copyright licenses, services and agreements without it.

---

## How We Protect Your Personal Data
ScreenVue takes the protection of your data very seriously.

- We use firewalls and data encryption to protect data that is stored electronically, and we take appropriate measures to ensure that our buildings and any files we store physically are secure.
- Whenever we collect or disclose personal data, we employ physical, electronic and procedural safeguards to ensure its safety. Consequently, we may ask you for proof of identity before we can disclose personal information to you.
- We encrypt all data that is transferred electronically using the industry standard Secure Sockets Layer (SSL)
- When your data is transferred, stored or processed in a different country, we employ appropriate measures to ensure that your data remains secure.

We cannot guarantee the security of any email provider or online service which is not managed by us, and which you use to transfer data to us.

---

## Your Personal Data and Service Providers
ScreenVue works with reputable service providers who may process your data to perform business functions on our behalf. These include Google Analytics, MailChimp/Mandrill, SurveyGizmo and others.

All such service providers are contractually required to keep your data safe, use it only for the purposes agreed, and delete it when it is no longer required. They have agreed not share it, nor use it for their marketing purposes.

We will never give, sell or share your personal data with any third-party for any purpose other than that referred to above.

---

## Your Personal Data and Marketing
ScreenVue would like to share potentially valuable or interesting information with you and, from time to time, ask for your feedback via online surveys.

- When you provide us with your personal data, either by phone, email or a physical or online form, we will always provide a clear and simple way to confirm your communication preferences.
- We will never assume your consent to receive email marketing. We will only send you marketing emails where you have opted-in to receive them.
- We may give you the opportunity to opt-in to receive different marketing emails based on your interests. An opportunity to unsubscribe from any list will be clearly provided at the bottom of each email.
- We may mail information to you that we believe will be of legitimate interest.
- We will make it simple for you to change your communications preferences, which you can do at any time online, over the phone or by writing to us.

---

## How We Use Cookies
A ‘cookie’ is a file placed on your personal computer’s hard drive by a website.

ScreenVue employs cookies to optimize its service to customers. We do not use cookies to collect personally identifying information from users, nor to track user activities beyond our websites. ScreenVue does not maintain copies of cookies on our websites after you leave them.

Cookies store and exchange small pieces of temporary data between a website and a user’s computer which enable a “session” or “dialogue” between the two machines. With the session established, ScreenVue can tailor its responses (i.e., provide you with the information you want) and help you traverse our web pages efficiently and effectively.  A session is broken when you exit your browser.

ScreenVue uses “session cookies” — (i.e., temporarily stored cookies in your computer’s memory). Session cookies are normally deleted from a user’s computer when the user logs off the computer, or the user exits the browser.

For security purposes and to ensure that this service remains available to all users, our websites also employ systems to monitor network traffic to identify unauthorized attempts to upload or change information, or otherwise cause damage.

Unauthorized attempts to upload information or change information on this service are strictly prohibited and may be punishable under the law.

---

## Google Analytics
Google Analytics is a web analytics service that uses cookies stored on your computer to collect and report website usage data.  We use Google Analytics to understand how visitors use our websites and to identify where we can improve our content and services.  Google collects the IP address you use when you visit the site but does not collect any other personal information about you.  We do not combine the information that Google collects with any other personally identifiable information.

[Learn more about how your data is collected by Google](https://policies.google.com/privacy "Learn more about how your data is collected by Google")

[Prevent your data from being used by Google Analytics](https://tools.google.com/dlpage/gaoptout "Prevent your data from being used by Google Analytics")

---

## Comment Policy
Comments on articles, blogs and videos can be helpful to other viewers, provided that a spirit of helpfulness is the intent of the person doing the commenting.

We review all comments on ScreenVue’s websites. We reserve the right to edit/delete spam comments, duplicate comments, unsupported accusations, vulgar comments, vile comments, personal attacks of any kind, terms offensive to groups when used in a derogatory manner, and any other comment deemed inappropriate at our discretion.

We reserve the right to ban offenders who post comments under another person’s name, submit an egregious comment or repeatedly submit comments that do not meet our standards.

---

## Update and Access Your Data: Your Rights and Control
As a benefit of using ScreenVue’s services, we provide you with a way to update your information.  These features allow you to quickly update your personal information at any time, including your name, email address, and profile image.

We are committed to safeguarding your privacy and can only do so if you use ScreenVue Profile features as intended.  Some or all aspects of this Privacy Policy may not apply to individuals who share a login (email and password) with other members of an organization account.

If you believe the information that ScreenVue holds about you is incorrect and you are unable to correct it through our ScreenVue Profile service, please contact us, and we will update our records as soon as possible.

You have the right to see the personal data that we hold about you. However, how we deal with such requests, and whether we charge a fair administration fee may differ depending on the law in the country of your residence.

In all cases, if you would like a copy of the personal data we hold about you, please contact us using our [GDPR / Data Privacy contact form](mailto:support@screenvue.com "GDPR / Data Privacy contact form").

ScreenVue is committed to protecting your personal data and using it only in a manner that is appropriate, fair and transparent. If, however, you have a concern about our use of your data or wish to make a complaint,please contact us using our GDPR / Data Privacy contact form. We will take all reasonable steps to resolve your query or complaint and to do so promptly.



Privacy Policy

The ScreenVue, LLC web site shall be defined herein to include all screenvue.com and all other web pages operated by ScreenVue.

ScreenVue makes available information, materials, and products on this Web site subject to the following terms and conditions. By accessing this site, you agree to the terms and conditions as outlined in this legal notice. ScreenVue reserves the right to change these terms and conditions from time to time at its sole discretion.

__Copyright © 2019 by ScreenVue, LLC. All rights reserved. CVLI® and Screenvue® are trademarks. All other trademarks are properties of their respective owners.__

---

## Use of Software
Any use of software and accompanying documentation from this Web site is subject to the terms of a software license agreement between you and ScreenVue. You must read the license agreement and indicate your agreement to its terms prior to installing or using the software. All rights, title, and interest not expressly granted are reserved.

---

## Use of Web Site Information
Except as otherwise indicated elsewhere on this site, you may view, copy, print, and distribute documents available on this Web site subject to the following conditions:

- The document may be used solely for personal, informational, non-commercial purposes.
- The document may not be modified or altered in any way.
- The following copyright notice and permission notice must appear in each document: “Copyright © 2019 ScreenVue, LLC. All rights reserved.”
- ScreenVue reserves the right to revoke such authorization at any time, and any such use shall be discontinued immediately upon written notice from ScreenVue.
- Documents specified above do not include the design or layout of this Web site. Elements of this Web site are protected by trade dress and other laws and may not be copied or imitated in whole or in part.

---

## Warranties and Disclaimers
Except as expressly provided otherwise in an agreement between you and ScreenVue, all information and software on this Web site are provided “as is” without warranty of any kind, either express or implied, including, but not limited to, the implied warranties of merchantability, fitness for a particular purpose, or non-infringement.

ScreenVue assumes no responsibility for errors or omissions in the information or software or other documents which are referenced by or linked to this Web site. References to corporations and their services and products are provided “as is” without warranty of any kind, either express or implied. In no event shall ScreenVue be liable for any special, incidental, indirect, or consequential damages of any kind, or any damages whatsoever, including, without limitation, those resulting from loss of use, data, or profits, whether or not advised of the possibility of damage, and on any theory of liability, arising out of or in connection with the use or performance of this information.

This Web site could include technical or other inaccuracies or typographical errors. Changes are periodically added to the information herein; these changes will be incorporated in new editions of this Web site. ScreenVue may make improvements and/or changes in the product(s) and/or the program(s) described in this Web site at any time.

This Web site can be accessed from other countries around the world and may contain references to ScreenVue products, services, and programs that have not been announced in your country. These references do not imply that ScreenVue intends to announce such products, services, or programs in your country.

---

## Feedback
Except where expressly provided otherwise by ScreenVue, all comments, feedback, information, or materials submitted to ScreenVue through or in association with this Web site shall be considered non-confidential and ScreenVue’s property. By submitting such comments, feedback, information, or materials to ScreenVue, you agree to a no-charge assignment to ScreenVue of all worldwide rights, title, and interest in copyrights and other intellectual property rights to the comments, feedback, information, or materials. ScreenVue shall be free to use such comments, feedback, information, or materials on an unrestricted basis.

---

## Links To Third-Party Web Sites
This Web site contains links to third-party Web sites. The linked sites are not under the control of ScreenVue, and ScreenVue is not responsible for the contents of any linked site or any link contained in a linked site. ScreenVue is providing these links only as a convenience, and the inclusion of a link does not imply endorsement of the linked site by ScreenVue.

---

## Governing Law And Jurisdiction
ScreenVue controls this Web site from its offices in Vancouver, Washington, USA. All matters relating to this Web site shall be governed by U.S. federal law or the laws of the State of Washington. You agree that any legal action or proceeding related to this Web site must be instituted in, and jurisdiction and venue are proper in, a state or federal court in Clark County, Washington. Your use of this Web site and its information must comply with all applicable local laws or regulations, and with U.S. export laws and regulations.

Terms

__FREE with a Church Video License,*__ the Vault offers 16,000+ Movie Ideas and Views from a variety of movies and resources.

__The Vault saves you hours of time__ finding that perfect movie illustration for next Sunday’s sermon, child or youth service, or video announcement! 

__[Frequently Asked Questions (FAQs)](https://www.screenvue.com/faqs "FAQ's")__
![ImageSpaceLG](//images.ctfassets.net/micoswd5fgp1/4xvfeylbjqZEW7OapGd8H5/3a1eee9a2b5df7a2282086b9f0656f4c/ImageSpaceLG.png)
__WHAT RESOURCES ARE OFFERED BY THE VAULT?__

The Vault offers two different types of content:
![ImageSpaceSM](//images.ctfassets.net/micoswd5fgp1/2MPfeE8Nyrtovp52LyLJXG/d240766f24d2e2163fcfa9d7f50eb3f5/ImageSpaceSM.png)
![clip-idea-icon](//images.ctfassets.net/micoswd5fgp1/6AhofNH591NHsVrQKd2DXH/466532d661e3732758370bdcf0ef6473/clip-idea-icon.png)
__MOVIE IDEAS:__ Use your own movie with our cues and details

To use a MOVIE IDEA

- Sign-In.
- Select an Idea (by selecting a MOVIE, a THEME, or by using SEARCH). 
- Utilize the displayed Start/End Times, synopsis, and suggested themes.
- Have the specific movie cued to the appropriate Start Time (using the Digital, Stream, Blu-ray, or DVD you already own, rented or borrowed).
- You're now ready to show the Idea at just the right time in your message!

![SVViewIcon2](//images.ctfassets.net/micoswd5fgp1/3YgYqNCCO4KFGqrFIjT1ra/ef2ecf0139ccb9c4a7c54bb8a3f34b2a/SVViewIcon.png)
__MOVIE VIEWS:__ Instantly preview content you’re considering

To use a MOVIE VIEW

- Sign-In.
- Select a specific View (by selecting a MOVIE, a THEME, or by using SEARCH). 
- Instantly preview content you’re considering from embedded links streamed directly on the Vault site from a studio’s official YouTube channel.

![ImageSpaceSM](//images.ctfassets.net/micoswd5fgp1/2MPfeE8Nyrtovp52LyLJXG/d240766f24d2e2163fcfa9d7f50eb3f5/ImageSpaceSM.png)

__Filtering Ideas__
At the top navigation of any page, there are links to see: "All Movie Ideas" or "All Movie Views."

When you click on a Theme and see the results, there is a "Filter Scenes" option to show: All Movie Ideas or Movie Views Only.
![White Space](//images.ctfassets.net/micoswd5fgp1/5f1JcADco1e7bfxv1PxAmC/37ff94c8b0c0dc1f852b84c0b83a5604/White_Space.jpg)
__How to Use a Movie Idea__

[![YT-HowToUseMovieScene](//images.ctfassets.net/micoswd5fgp1/75vwFltSCcZmz1M8Thi8zt/9e2604cec5abd47dcf12241501d60d59/HowToUseMovieScene-ScreenShot.png)](https://www.youtube.com/watch?v=4wDXCc9nCM0 "How to know if a movie is covered")

__Email for Vault support__
[support@screenvue.com ](mailto:support@screenvue.com "support@screenvue.com")

__[Frequently Asked Questions (FAQs)](https://www.screenvue.com/faqs "FAQ's")__

![White Space](//images.ctfassets.net/micoswd5fgp1/5f1JcADco1e7bfxv1PxAmC/37ff94c8b0c0dc1f852b84c0b83a5604/White_Space.jpg)
__Please Note__

*The Vault content can only legally be used in tandem with a [Church Video License](https://store.ccli.com/).

*Before using Vault content, please check your country’s Authorised Producers List to confirm the content is covered (all Vault content is covered in the USA).

*The Vault does not provide, sell or rent entire digital copies of movies to download. To purchase or rent entire movies, please access services like Amazon, Google or Vudu.

*Vault access is free with a Total Producer Package or Standard CVLI Video License in the USA or with any Church Video Licence globally.

*CVLI & the Vault do not necessarily endorse the entire content of any movie listed. Before showing any movie, please preview and determine if the footage is appropriate for your intended audience.

*All Vault Movie downloads—comprising several hundred titles, primarily from the public domain along with a few independent studio releases—have been transitioned to Vault Movie Views. As a result, downloads are no longer available through the Vault. We apologize for any inconvenience this change may cause.


Support

__Frequently Asked Questions...__

__"I'M NEW - how does the Vault work?"__
- To get a full explanation of how the Vault works, please visit our support page: https://www.screenvue.com/support

__"Where can I find my Access Key to sign-in with?"__
- Every Church Video Licence globally and every *Total Producer Church Video License* (or *Standard CVLI Video License*) in the USA comes with FREE access to the Vault, which is unlocked with your Access Key. Your Access Key will be included in the monthly CVL update emails you receive. If you can't find your Key, please email us at: [support@screenvue.com ](mailto:support@screenvue.com "support@screenvue.com")

__"Why won't my Access Key work?"__
- The usual reason for the Access Key not to work (and a footer error message to appear) is that something is missing from the sign-in protocol.
- Enter the *Email address* associated with your Church Video License (or CCLI account).
- Enter the *Access Key* found in your last CVL update email (exactly, with no spaces).
- Select the *Terms of Use* and a *Keeping in Touch* option.
- You should be in! If you have done all this and still have a problem, please let us know and we'll dig further.

__"In the USA, why don't I have access as a CVL Family Values Package member?"__
- The *CVL Family Values Package* offers only 65+ studios and producers, and does not include any major/minor Hollywood studios - and does not come with ScreenVue Vault access. 
- The *CVL Total Producer Package* offers 5,000+ studios and producers, including every major Hollywood studio and most of the major/minors, and comes with complimentary access to the Vault: unlocked with a provided Access Key. 
- In the USA, to gain access to the Vault, please upgrade to a *Total Producer package* by calling: __1-888-771-2854__.

__"What is the difference between Movie Ideas and Movie Views?"__
- The Vault offers TWO different types of content: 
- *Movie Ideas*: Has the "light-bulb icon," where you would use your own movie (Digital, Stream, Blu-ray, or DVD you already have access to) with our cues and details; as this idea is not available as a View. 
- *Movie Views*: Has the "TV icon," where you can instantly preview content you’re considering from embedded links streamed directly on the Vault site from a studio’s official YouTube channel.
- Please visit our Support page for more details: https://www.screenvue.com/support.

__"Why can't I download a Movie Idea or Movie View?"__
- We do not have permission from the studio owners to offer downloads for Ideas and Views. Instead, use the cues listed in the upper, right hand corner of a Movie Idea in tandem with your own copy or rental, or preview a Movie View. 

- The Vault offers two different types of content: 
- *Movie Ideas*: Has the "light-bulb icon," where you would use your own movie (Digital, Stream, Blu-ray, or DVD you already have access to) with our cues and details. 
- *Movie Views*: Has the "TV icon," where you can instantly preview content you’re considering from embedded links streamed directly on the Vault site from a studio’s official YouTube channel.
- Here is a link to all the movies which have Movie Views: https://www.screenvue.com/scene-views
- When you click on a *Theme* and see the results, there is a "Filter Scenes" option to show: All Movie Ideas or Movie Views Only.
- Please visit our Support page for more details: https://www.screenvue.com/support.
- (Please note: All previous Vault movie downloads—comprising several hundred scenes, primarily from the public domain along with a few independent studio releases—have been transitioned to Vault Movie Views. As a result, downloads are no longer available through the Vault. We apologize for any inconvenience this change may cause.)

__"What are the restrictions for streaming our service and including movie content? "__
- For churches that stream their services and want to include movie content, the Church Video License terms do not cover streaming movie content - even if used in a sermon - over the internet to the general public.
- However, it is permissible to live stream movie content inside the facility as long as it is a closed-stream (not accessed publicly). 
- The Church Video License has made recent modifications to the license: For churches that stream their services and want to include movie content, they can use a platform that is gated or private (password protected entry to only members and guests and not open to the general public), such as Zoom (requiring a password to join).

__"Can content in the Vault be used with a Church Video Licence anywhere in the world?"__
- Before using Vault content, please check your country’s Authorised Producers List to confirm the content is covered (all Vault content is covered in the USA).

__"How do you use a Movie Idea?"__

[![How to Use Movie Scene - YT Screenshot](//images.ctfassets.net/micoswd5fgp1/7A1bBWDs42jsvz6bjD5Pq2/9497df89415a355973e899330afc1a68/How_to_Use_Movie_Scene_-_YT_Screenshot_.jpg)](https://www.youtube.com/watch?v=4wDXCc9nCM0 "How to Use a Movie Scene")

__"How do you know if a movie is covered for use?"__
[![YT How to know coverage](//images.ctfassets.net/micoswd5fgp1/1OFHSO0FQkCznBWENF5FXn/cae3f70acff69914f9f84ad5a7169175/YT_How_to_know_coverage.jpg)](https://www.youtube.com/watch?v=LLx-Zb3HcYI "How to know if a movie is covered")


FAQs

Header

Themes

All Movie Ideas

All Movie Views

Mobile

Monsters, Inc.

Mary Gibbs

After Sulley converts the factory to run on laughter—far more powerful than screams—solving the energy crisis, Mike becomes its top comedian, thriving on goofy, kid-friendly slapstick even if his stand-up falls flat.

John Goodman

Pete Docter

Steve Buscemi

Bob Peterson

Lee Unkrich

Mike and Sulley race through the endless maze of doors at Monsters, Inc., dodging Randall as they struggle to keep Boo out of his grasp.

Billy Crystal

John Ratzenberger

James Coburn

A little boy is tucked into bed by his parents.  He lies in the dark, hearing the nighttime sounds.  His closet door creaks and he opens his eyes, frightened.  He sits up, looking at the door.  He looks around the room and sees what his frightened imagination tells him is a large tentacle creeping out of the closet.  He gasps in fear, closing his eyes and ducking under the blankets for cover.  He opens his eyes for a second look, seeing that the "tentacle" is only the sleeve of his shirt.  He lies back down, closing his eyes.  A dark shadow flits over his blanket and glowing red eyes appear underneath his bed.  The boy again opens his eyes as a gigantic monster rises to full height behind him.  The boy turns around, hearing the monster snarl, and screams in terror.

Mike arrives early at Sulley's house to train him for the day's work of scaring children.  Sulley is the top scarer at Monster's Incorporated and is close to breaking the all-time scare record.  Mike, Sulley's partner at work, sits next to Sulley while he snores in bed.  Mike blows a sound horn in Sulley's ear to wake him up.  Sulley immediately drops to the floor for a grueling series of push-ups.  Mike, acting as trainer: "Feel the burn!  You call yourself a monster?"  Mike switches Sulley to a quick-feet move, drilling him on reacting quickly to be prepared to scare children.  Mike tests Sulley with various scaring scenarios: "Twins!  In a bunk bed!"  Sulley quickly growls low to the ground, then stands and growls to an imaginary top bunk, alternating between the two.  Mike waves a picture of a child attached to a stick in front of a growling Sulley, moving it quickly around the room as Sulley chases behind.  Mike sits on top of a large pile of furniture and household items while Sulley pushes it across the floor to build strength.  Mike even trains Sulley while he brushes his teeth: "Come on, fight that plaque!  Scary monsters don't have plaque!"  Monitoring Sulley's sit-ups, Mike reaches a count of 120 when Sulley informs him he isn't even breaking a sweat.

The monsters working on the scare floor at Monsters Incorporated are busy at their jobs.  All is running smoothly until George, one of the scarers, struts confidently out of a completed job, unaware that he has a child's sock clinging to his back.  (Monsters believe children are toxic...it is a cardinal rule for scarers to touch nothing associated with a child.)  George's assistant, spotting the sock, shouts: "2319!  We have a 2319!"  This emergency code strikes fear into the hearts of the workers at the plant.  The alarm is immediately sounded.  A contamination warning appears on the screen for all employees to see.  A siren blares: "Red Alert!"  A voice over the loudspeakers commands George to remain motionless.  A clueless George turns around at the sound of his name and sees his own back pictured on the large projection screen, a sock clinging to his fur.  He shrieks and turns in circles, trying to get the sock off his back.  Monsters in full-bodied yellow decontamination suits suddenly descend into the building on ropes let down from the roof.  They are members of the CDA (Child Detection Agency), trained to respond to emergencies such as this.  They descend on the employees with gauges and monitoring equipment, checking for child contamination.  They tackle the frightened George to the ground, gingerly pulling the sock off of his back with a huge pair of metal pincers.  They warn everyone in the area to stand back.  Then, placing a metal dome over the sock, they secure it to the floor with bolts.  Monsters all over the room cover their faces as they await the explosion that will annihilate the sock.  Once it is destroyed, the CDA removes the dome and sweeps up the charred remainder of the sock.  They encase George in a portable yellow shower, shave off all his fur, give him a chemical bath and place a dog cone around his neck.  The building is now declared clean from contamination, but the system must be shut down for a half an hour to be re-booted.  The president of the company shakes his head: "An entire scare floor out of commission.  What else can go wrong?"

Sulley arrives at the deserted 'scare floor' after work hours to find an activated door still standing.  He opens the door, looking in the room to see if anyone is working late inside.  Getting no response to his whispered queries, Sulley shuts the door, shrugging.  He stares at the door, wondering if it could be malfunctioning.  Hearing a thumping sound, Sulley turns to see a tiny toddler in pigtails lifting his tail and letting it hit the floor.  The girl looks up innocently at Sulley, babbling baby talk.  Sulley screams in terror, falling backward in an attempt to get away from the girl as quickly as possible.  (Monsters believe children are toxic.)  Smiling, the tiny toddler walks toward Sulley (a giant blue monster), who cowers in fear.  Sulley, panting, runs in circles while the girl laughingly chases him.  She grabs his tail and Sulley gingerly pulls her off of it with a pair of metal pincers.  Grimacing in disgust, he drops her back into her bedroom and shuts the door.  He turns around, startled to see the girl behind him.  She had squeezed out of the room before the door had closed completely.  The girl giggles, thinking Sulley is playing a game with her.  Sulley, whimpering, grabs the girl by the nightgown, carries her into her room, and drops her onto her bed.  He turns around to make his escape, but crashes into a series of toys in his haste, skidding out of the room on his stomach.

A small child has been sighted in a restaurant in the monster world.  Because monsters greatly fear children, believing them to be toxic, citizens everywhere are in panic.  The television news is covering the breaking story.  Newscaster: "If witnesses are to be believed, there has been a child security breach for the first time in monster history."  A CDA (Child Detection Agency) employee, wearing a decontamination suit, is interviewed by a reporter: "We can neither confirm nor deny the presence of a human child here tonight."  Witness at the scene: "Well, a kid flew right over me and blasted a car with its laser vision!"  Second witness: "I tried to run from it, but it picked me up with its mind powers and shook me like a doll!"  Another monster, covered in eyes, runs up to the camera to confirm the story: "It's true!  I saw the whole thing!"  Psychiatrist, being interviewed by the news anchor: "It is my professional opinion that now is the time to panic!"  Back in Sulley's apartment, Sulley and Mike are running around the room, trying to keep a safe distance between them and the child.  Mike is wearing oven mitts, a snorkel, flippers, and various other kitchen implements to protect himself from the child's "laser vision" and "mind powers."  The two monsters hide behind a chair as the little girl in pink totters toward them, laughing at their antics.  Outside, helicopters with searchlights are visible, scouring the city for the girl.  Mike sprays disinfectant spray on whatever the girl touches.  She toddles over to him and sneezes, spraying his eye with saliva.  Mike screams, instinctively spraying disinfectant into his eye -- screaming again as the chemical burns!

Mike desperately needs a favor from his co-worker, Roz.  Unfortunately, Mike's past relationship with the dispatch manager has been less than amicable.  Mike, constantly delinquent on filing his paperwork, has made himself a constant thorn in Roz's side.  Now that he needs her approval, Mike steels himself for a little groveling.  Smoothing his 'hair,' Mike takes a deep breath and puts on his best suave face before approaching Roz at her station.  He mutters to himself: "Be relaxed, be relaxed..."  Mike, charmingly: "Roz, my tender, oozing blossom, you're looking fabulous today.  Is that a new haircut?"  Roz, her face stony, stares at Mike expressionlessly.  Mike: "Come on, tell me.  It's a new haircut, isn't it?  That's got to be a new haircut!"  Mike, now nervous at her lack of response, begins to throw out random compliments: "New makeup?  You've had a lift.  You've had a tuck.  You've had something.  Something has been inserted in your skin that makes you look like..."  Mike struggles for an appropriately flattering analogy, failing miserably.  He decides for a more direct approach: "Listen, I need a favor.  Randall was working late last night out on the scare floor.  I really need the key for the door he was using."  Roz, her voice unemotional: "Well, isn't that nice?  But guess what?  You didn't turn in your paperwork last night.  This office is now closed."  Roz slams her window down on Mike's fingers.

Sulley is chasing Boo through the halls of his workplace.  Boo is dressed as a baby monster...a disguise intended to keep her hidden from the authorities searching for the human child.  Sulley watches as Boo climbs into a garbage can just ahead of him.  As he moves toward her, he is suddenly approached by two agents of the CDA (Child Detection Agency) who are part of the search for Boo.  Sulley, relieved to find they merely want his autograph, turns his back on Boo to sign the papers.  Behind Sulley, two employees wheel the garbage can toward the trash chute down the hall.  While the employees are distracted in their personal conversation, Boo climbs out of the can, leaving one eye from her costume behind.  Sulley turns around in time to see the employees dump the contents of the can down the chute.  With Boo's eye protruding from the trash pile, it appears as though she has been sent down the chute with the garbage.  Sulley, panicking, runs down to the basement where the garbage is processed.  He frantically watches through a window as the pile of garbage with Boo's eye sticking out of it travels down the conveyor belt toward the garbage compactor.  Meanwhile, upstairs, Boo has met a group of monster children and has joined their daycare class.  Sulley comes close to fainting with horror as he watches the garbage compactor slice, grind, and pound the garbage.  He runs over to the conveyor belt that sends the finished product out of the room.  A small cube of garbage, one crushed eye in the middle, stops in front of him.  He gently reaches a shaking hand toward the eye and then faints to the floor.

The president of Monsters, Inc., a company that harvests the screams of children as an energy source, is overseeing the training of a new 'scarer.'  After watching the new employee fail miserably during the scare simulation, Mr. Waternoose (the president) asks Sulley to show the new recruit how to properly scare a child.  Sulley, intending on informing Mr. Waternoose of a plot to kidnap children, has brought along Boo...the human toddler he has befriended.  Mr. Waternoose is too intent on the training to hear Sulley's attempts at getting his attention, and Sulley reluctantly finds himself demonstrating his scare technique for the training class.  Mike, who has been watching Boo while Sulley talked to Mr. Waternoose, loses his grip on her and she toddles excitedly toward her friend Sulley.  Sulley, unaware that Boo is standing inside the simulation area, turns toward the mannequin child, bares his teeth, raises his claws, and emits a loud and frightening roar at the dummy.  Boo, standing next to the bed, feels the full force of Sulley's ferocious growl directed at her.  She whimpers in terror as her once gentle friend transforms into a frightening beast.  Sulley, still not seeing Boo, continues to roar at the simulated child, and Boo's eyes fill with tears.  She runs crying off the simulation stage to hide in a corner of the room.  Sulley stops his demonstration when he sees Boo run away.  He softly calls her name, walking slowly toward her hiding place.  Boo, still scared, turns away from her friend, trying to find a way to escape through the wall.  She cowers in the corner, whimpering.  Sulley, sadly gentle: "Boo?"  he reaches out for her, but she cries, edging out of his reach.  Sulley, grieved at her loss of trust: "Boo...it's me."  Boo backs away from him and trips over a cord.  Sulley, crawling toward Boo as she tries to scoot away: "No, no, no...it's okay.  Don't be scared.  That wasn't real.  It's just a... I was just..."  Sulley stops his explanation as he catches sight of the television monitors showing six different angles of his scare simulation.  On one screen is captured Sulley's face in a terrible snarl.  On another are Boo's innocent eyes, filled with terror as she looks up at her once trusted friend.  Sulley's eyes go back and forth between the pictures as he finally realizes the effect his job has on children.  He had never before considered that his actions were causing these helpless creatures pain.  Sulley is filled with remorse as he looks down at his little friend.  She runs away from him crying as he calls her name.

Sulley and Mike have been banished to a remote region in the Himalayas for trying to save Boo from Mr. Waternoose, their boss at Monsters, Incorporated.  Sulley spies a cache of supplies in their ice cave and decides to attempt to rescue Boo by traveling to the nearest village.  Abominable Snowman, incredulous: "You want to go to the village?"  He tells Sulley he is risking his life to go out in a blizzard.  Sulley is undeterred from his mission: "We need to get to Boo."  He continues to build a make-shift toboggan until a snowball pelts him from behind.  Turning around, he sees Mike glaring at him.  Mike is furious: "Boo!  What about us?"  He throws another snowball at Sulley.  Mike feels they have already sacrificed too much for the sake of the child.  He grieves over all they have given up: "Ever since that kid came, you've ignored everything I've said.  And now look where we are!  Oh, we were about to break the record, Sulley." (Sulley had been close to a prestigious all-time achievement goal at work.)  Sulley, his back turned toward the toboggan: "None of that matters now."  Mike feels Sulley's priorities are skewed in the wrong direction: "None of it matters?  So, now the truth comes out, doesn't it?  Sulley, what about everything we ever worked for?  Does that matter?  Huh?  And what about Celia?  I am never...never going to see her again.  Doesn't that matter?"  Sulley looks sadly at his friend, sighing with the weight of his burden.  He resolutely pushes his toboggan toward the mouth of the cave.  Mike continues berating his friend for his choice: "What about me?  I'm your pal.  I'm your best friend.  Don't I matter?"  Sulley turns around with a sigh: "I'm sorry, Mike.  I'm sorry we're stuck out here.  I didn't mean for this to happen.  But Boo's in trouble.  I think there might be a way to save her if we can just get down..."  Mike, cutting him off: "We?  Whoa, whoa, whoa.  There's no 'we' this time, pal.  If..if...if you want to go out there and freeze to death, you be my guest.  Because you're on your own."  Mike folds his arms across his chest and turns his back on Sulley.  Sulley looks sadly at his friend before leaving the cave to go rescue Boo.

Sulley has just rescued Boo from the clutches of Mr. Waternoose and the evil Randall.  He plans on returning Boo to her home, but is pursued by Randall.  Randall, who has the power to make himself invisible, throws a punch at the surprised Sulley, knocking him to the floor.  Sulley continues to be pummeled by blows from his unseen enemy.  Finally, Sulley is struck on the head by a metal canister and knocked half-senseless.  Randall, judging this a safe time to make himself seen to the much larger Sulley: "You don't know how long I've wanted to do that, Sullivan!"  Sulley swipes at Randall, who disappears, laughing.  Randall resumes his attack and Boo is knocked out of Sulley's arms.  Sulley rises from the floor and is hit in the face by a snowball.  He turns to see his friend Mike, just returned from the Himalayas.  Mike immediately resumes their former argument at the point they had left off (for the beginning of the argument, see Scene # CV03535).  Mike: "Look, it's not that I don't care about the kid."  Sulley tries to warn Mike that Randall is attacking him: "Mike, you don't understand."  Mike: "Yes, I do.  I was just mad, that's all.  I needed some time to think."  Mike, immersed in his own thoughts, is completely oblivious to Sulley's contorted face as he reels from Randall's punches.  Mike continues: "But you shouldn't have left me out there."  Randall throws Sulley up against a large pipe, twisting his arm behind his back.  Sulley, desperately: "I'm being attacked!"  Mike, misinterpreting the meaning of Sulley's words: "No, I'm not attacking you.  I'm trying to be honest.  Just hear me out.  Nothing is more important than our friendship."  Boo runs up to Mike, babbling and pointing at Sulley, trying to alert Mike to the true situation.  Mike, interpreting Boo's gestures using his own thoughts:  "I know, kid.  He's too sensitive."  Sulley, now being choked by Randall, begins making a gasping sound.  Mike: "Come on, pal.  If you start crying, I'm going to cry and I'll never get through this.  I'm sorry I wasn't there for you, but I am now."  Mike sees Sulley...his eyes closed and on the verge of passing out.  Even little Boo can see that Sulley is in real trouble.  Mike finally notices that Sulley's mind is elsewhere.  Mike, angry: "Sulley, I am baring my soul here.  The least you could do is pay attention!"  He chucks another snowball at Sulley, hitting just to his left and exposing Randall's face to view.  Sulley punches Randall's now visible face and he falls to the floor, unconscious.  Mike, surprised: "Hey, look at that...it's Randall!  It's...oh."  Mike's face registers his dawning awareness of what Sulley had been trying to communicate during their entire conversation.

Randall (the monster in charge of 'scaring' Boo) has kidnapped Boo and is hiding in one of the 'doors' at Monsters, Incorporated.  Sulley bursts into the room and is greeted by an excited Boo.  Relieved to see his little friend, Sulley is caught off guard by Randall and knocked to the floor.  He slides backward and out the door, dangling over the abyss by only his claws.  (They are in the company's door vault, where thousands of doors are suspended on roller-coaster-like rails, hanging over a seemingly bottomless pit.)  Sulley pants in fear, trying to hang on to the edge of the door frame.  Randall comes to stand over the helpless Sulley, gloating: "Look at everybody's favorite scarer now!  You stupid, pathetic waste!"  Randall stomps on one of Sulley's hands, causing him to let go of the door.  Now Sulley dangles by only one hand.  Boo, terrified of Randall, cowers in the back of the room, crying out in fear.  Randall: "You've been number one for too long, Sullivan!  Now your time is up!"  He slowly starts to push Sulley's other hand off of the door.  Boo's face suddenly fills with angry determination as she watches her beloved Sulley being attacked.  She leaps onto Randall's back, pulling fiercely on his ears.  Randall struggles, stumbling into a bookcase and sinking to the floor.  Sulley pulls himself up and into the room to see Boo riding Randall like a horse.  Boo picks up a bat and begins whacking Randall repeatedly on the head until Sulley grabs him by the throat.  Boo jumps off his back and stands with arms raised threateningly, roaring at Randall like a baby lion.  Sulley, proud, smiles: "She's not scared of you anymore."  Boo gives another loud roar and then smiles at Sulley.  Sulley, to Randall: "Looks like you're out of a job."

Sulley and Mike are returning little Boo to her home, knowing this is the last time they will see her.  Mike holds out his hand for her to shake, but Boo gives him a big hug instead.  He hugs her tenderly: "Ah, Boo.  It's been fun."  He strokes her cheek as she turns to take Sulley's hand.  Mike: "Go ahead.  Go, grow up."  Sulley opens Boo's door and she squeals in delight when she sees the familiar sanctuary of her bedroom.  She runs around the room, laughing and babbling.  She runs back to the door, grabbing Sulley by the hand and pulling her friend into the room.  Sulley, knowing he has to leave before someone sees him, hesitates, trying to tell her he has to say goodbye.  Boo, continuing to speak baby talk, hands him all of her favorite toys, one-by-one, excited to be sharing her world with him.  Sulley is unable to resist her child-like innocence and picks her up, twirling her around, and lays her on her bed.  He tucks her under her blankets and Boo points at her closet, scowling.  Sulley, knowing she refers to the mean monster that used to scare her: "Nothing's coming out of your closet to scare you anymore, right?"  She smiles up at him.  Sulley: "Goodbye, Boo."  Boo looks down sadly.  She puts her hand on his massive paw: "Kitty?"  He gently strokes her head: "Kitty has to go."  She stands up to give Sulley a hug.  His huge arms surround her and he closes his eyes, savoring this last sad moment with her.  She strokes his cheek with her little hand.  Sulley reluctantly breaks away and tucks Boo back in her bed.  She reaches out a hand toward him as he walks slowly toward the door.  He turns around to look at her one last time, his eyes filled with tears.  He sees a little toddler, eyes huge, staring mournfully back at him.  He watches her for a moment and then leaves, closing the door behind him.  Boo pushes back the covers and runs after him, opening the door excitedly.  Her face falls as she sees only the back of her closet.  The door into the monster world has closed behind Sulley.  Boo: "Kitty?"

Jennifer Tilly

Frank Oz

SV-SignIn-DM-2019-Mar-Dark

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Monsters, Inc.

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